Frame Bibliography

This book list, ordered alphabetically by author, is an attempt to produce as definitive as possible a bibliography of picture frames.

It is a collation of various lists of works about, or which reference, frames, or which deal with related arts, crafts or makers. It is based on the bibliographies published in A history of European picture frames and Frameworks, both 1996, which include books and articles published up to that date.  It is also greatly indebted to the online bibliography of the National Portrait Gallery (Annotated Bibliography of Frame Publications: http://www.npg.org.uk/research/programmes/the-art-of-the-picture-frame/research-bilbiography.php ), which lists works from 1996 by nationality & subject. Other bibliographies used include that of the Institut National du Patrimoine (INP), and of Persée, as well as those of individuals such as Richard Christie and Timothy Holton (q.v online).

Annie Ablett

Annie Ablett
'The frame: its purpose to protect' (two articles), in
The Picture Restorer, XVII
Spring 2000, pp. 13-16 and XVIII
Autumn 2000, pp. 9-11
'The frame: its purpose to enhance', in
The Picture Restorer, XXI
Spring 2002, pp. 9-12.

William Adair

The Frame in America 1700-1900: a survey of fabrication techniques & styles
Exh. cat., The American Institute of Architects Foundation, Washington
1983, 50 p. (illus. in b-&-w)

William Adair

'Picture framing II: Two exhibitions of American picture frames', in
Museum Management and Curatorship, IX
1990, pp. 318-22

William Adair

‘The American Empire Frame', in
Picture Framing Magazine, X
1999, August, pp. 108-17 (20 illus.)

William Adair

William Adair
‘Max Kuehne frames', in
Picture Framing Magazine, XII
2001, May, pp. 56-62 (6 illus.) 

Gerry Alabone

‘The Picture Frame: knowing its place’, in
Art, conservation & authenticities: material, concept, context
ed. Erma Hermens & Tina Fiske
London
2009, pp. 60-69

Gerry Alabone & Alastair Johnson

‘Introducing the Bloomsbury Frameworks Project’, in
David Harris Conservation Conference
2007, March, pp. 24-8

Giocondo Albertolli

Alcune decorazioni di nobili sale ed altri ornamenti
1787, 24 folios (24 plates)

Daniel Alcouffe

‘La fabrication des cadres au faubourg Saint-Antoine sous le règne de Louis XIV’, in
Curiosité: Études d'histoire de l'art en l'honneur d'Antoine Schnapper, ed. Olivier Bonfait,
Véronique Gerard Powell et Philippe Sénéchal
Paris
1998, pp. 125-30

Daniel Alcouffe

Les artisans décorateurs du bois au au faubourg Saint-Antoine sous le règne de Louis XIV d’apres les
minutes des notaires parisiens
Dijon
2008, 316 p. (27 colour illus.)

Adriano Amendola

‘Frames for drawings in Roman collections: a case study’, in
Getty Research Journal, IV
2012, pp. 45-56 

John Anderson

‘Dip and strip, not quite but almost', in 
Gilding: approaches to treatment. A joint conference of English Heritage & the UK Institute
for Conservation, September 2000
English Heritage
2001, pp. 59-66 (6 illus.)

Ángel Aterido, Diego Blanca Robas & José Juan Pérez Preciado

‘Los marcos de las pinturas de la Granja de San Ildefonso’, in
Inventarios reales: colecciones de pinturas de Felipe V e Isabel Farnesio, by
Ángel Aterido et al.
Fundación de Apoyo a la Historia del Arte Hispánico, Madrid
2004, 2 vols, I, pp. 367-426 (some illus.)

Reinier Baarsen

'Herman Doomer, ebony worker in Amsterdam', in
The Burlington Magazine, CXXXVIII
1996, pp. 739-49 (illus.)

Hubert Baija

'Gilding in The Dutch Golden Age', in
Painting Techniques. History, Materials and Studio Practice. Summaries of the Posters at the Dublin
Congress
, 7-11 September 1998
International Institute for Conservation,
1998, unpaginated

Hubert Baija

‘Een nieuwe lijst voor de Heilige Maagschap', in
Bulletin Van Het Rijksmuseum, Amsterdam, LI, no.2
2003, pp. 139-44 (10 illus.)

Hubert Baija

‘Original gilding in Auricular frames: unusual gilding techniques practised in Holland,
1640s-1670s’, in
Art Matters: Netherlands Technical Studies in Art, vol. III
2005, pp. 9-19.

W.H. Bailey

Defining edges: a new look at picture frames,
New York (Harry N. Abrams Inc)
2002, 136 p. (65 colour & 30 b-&w illus.)

Christopher Baker

'Filippo Lauri's Rape of Europa'
Apollo, vol. CXLIX
1999, June, pp. 19-24.

Christopher Baker

‘The Prince, his tutor, & a rare portrait print: William Markham by James Heath’, in
British Art Journal, II, no 3
2001, pp. 36-38 (4 illus.)

Christopher Baker

‘Framing Fox-Strangways', in
Journal of the History of Collections, XVII,1
2005, pp. 73-84 (19 illus.)

R. Baldi, G. Gualberto Lisini, C. & S. Martelli

La cornice fiorentina e senese: storia e tecniche di restauro
Florence (Alinea)
1992, 240 p. (illus.)

Carl Barkman

‘... med glas och förgyld bildhuggeriram', in
Merit Laine, Carolina Brown & Carl Barkman
Gustaf Lundberg, 1695-1786: En porträttmålare och hans tid
Abbreviated English text
National Museum of Stockholm
2006, pp. 226-33

David L. Barquist

‘The whole lustre of gold: framing and displaying power at the chamber of commerce’, in
Karl Kusserow, Picturing power: portraiture and its uses in the New York Chamber of Commerce
New York
2011, pp. 275-318, (illus.)

Claire Barry

Swimming by Thomas Eakins: its construction, condition, & restoration', in
Thomas Eakins and the Swimming Picture, ed. Doreen Bolger & Sarah Cash
Exh. cat., Amon Carter Museum, Texas
1996, pp. 111-16

Christian Baulez

‘Souvenirs of an embassy: the Comte d’Adhémar in London, 1783-87’, in 
The Burlington Magazine, CLI
June 2009, pp. 372-81 (illus.)

Germain Bazin

‘Réaménagement du Musée du Jeu de Paume’
Museum, vol. 24
1961, pp. 25-35

Germain Bazin

‘Principes d'encadrement des peintures anciennes’
Mouseion
1946, no 55, pp. 279-306

Geoffrey Beard

‘The Rose Family of Plasterers’, in
Apollo, LXXXV
1967, pp. 266-77

Geoffrey Beard

Decorative Plasterwork in Great Britain
London
1975, 262 p. (157 b-&-w illus.)

Geoffrey Beard

Craftsmen & Interior Decoration in England 1660-1820
Edinburgh, 1981; republished by Bloomsbury
1986, 311 p. (16 colour, 158 b-&-w illus.)

Geoffrey Beard & Christopher Gilbert (ed.)

Dictionary of English Furniture Makers 1660-1840
Furniture History Society
1986, 1046 p. (16 p. of b-&-w plates)

Edwin Becker

‘White, blue & gold’, in
In Perfect Harmony: Picture + Frame 1850-1920
Exh. cat., Amsterdam, Rijksmuseum Van Gogh
1995 (illus.)

Nancy Bell (ed.)

Historic Framing and Presentation of Watercolours, Drawings and Prints
Institute of Paper Conservation: A conference, June 1996
Leigh, Worcester
1997 (68 illus.)

Hugh Belsey

'Joshua Reynolds's Portrait of Mrs Walsingham'
Georgian Group Journal, IX
1999, pp. 26-32

Mary Bennett

‘Footnotes to the Holman Hunt Exhibition’, in
Liverpool Bulletin, XIII
1968-70, appendix II, pp. 56-64

Ségolène Bergeon-Langle et al.

‘La peinture mobile et son cadre, in
Préserver les objets de son patrimoine
Sprimont, Editions Mardaga
2001, pp. 219-36

Henrik Bjerre, with Mogens Bencard et al.

Rammens kunst
Transl. by Jeremy Watts as
Frames: state of the art
Exh. cat., Statens Museum for Kunst, Copenhagen
2008, pp. 247 (fully illus.)

Jacques-François Blondel

Cours d’architecture, ou Traité de la décoration…, 6 vols
1675-1683, 504 p.

Elfried Bock

Florentinische und Venezianische Bilderrahmen
Munich, F. Bruckmann
1902, 143 p. (illus.)

Mark Bockrath

‘Framing Beaux’, in
Cecelia Beaux: American figure painter
Sylvia Yount, Kevin Sharp & Nina Auerbach
Exh. cat., Atlanta High Museum of Art & University of California
2007, pp. 85-102

Wilhelm von Bode

‘Bilderrahmen in alter und neuer Zeit’, in
Pan, IV
1898-99, pp. 243-56

Peter Booth

‘The Tate’s approach to conservation framing’, in
The picture restorer, X
1996, pp. 18-19 (2 illus.)

Oliver Bradbury & Nicholas Penny

‘The Picture Collecting of Lord Northwick: Part II', in
The Burlington Magazine, CXLIV
2002, pp. 606-17 (19 illus.)

Henri Bresler

‘Supports et cadres’
Musée: temple et forum
Archicrée, Paris
1992, no 246, pp. 156-57

Richard R. Brettell & Steven Starling

The Art of the Edge: European Frames, 1300-1900
Exh. cat., Chicago, Art Institute
1986, 124 p. (illus. in colour & b-&-w)

Judith Bronkhurst

William Holman Hunt: A Catalogue Raisonné
Yale University Press, New Haven and London
2006, 2 vols (see vol. 2 for frames)

Jonathan Brown

‘Las pinturas de Zurbarán en la sacristia del monesterio de Guadalupe’, in
Imagenes e ideas en la pintura español del siglo XVII
Madrid,
1980, pp.143-77

Umberto Brunello Ramacciotti

L’artigianato fiorentino del legno nel suo valore storico e nella sua attuale dimensione
Firenze, CoEd
1983, 158 p. (illus.)

Gaetano Brunetti

Sixty different sorts of ornaments…
London
1736 (62 plates)

Véronique Büchen & Griet Steyaert

L’héritage de Rogier van der Weyden: La peinture à Bruxelles (1450-1520)
Exh. cat., Musées Royaux des Beaux-Arts, Brussels
2013, 384 p. (illus. in colour)

Christian Burchard

'Historischen Bilderrahmen, Sprache der Ornamente: Beispiele aus der Sammlung
Pfefferle, München', in
Barockberichte: Informationsblätter des Salzburger Barockmuseums zur bildenden Kunst des 17. und 18.
Jahrhunderts
, XXIV/XXV
Munich
1999, pp. 397-412 (illus.)

Stanley Burns

Forgotten Marriage: The Painted Tintype & the Decorative Frame 1860-1910
New York, Burns Archive Press
1995, 220 p. (87 colour & 126 b-&-w illus.)

Mary Bustin

'Recalling the past: evidence for the original construction of Madonna Enthroned with Saints and Angels by Agnolo Gaddi', in Conservation research 1996-1997: Studies in the history of art
Washington, National Gallery of Art, LVII
1997, pp. 35-60 (illus.)

David Buttery

‘The Picture Frames of Paul Petit and Frederick, Prince of Wales’, in
Apollo, CXXVI
1987, July, pp. 12-15

Cadres en l’Aire

Exh. cat., Galerie d’art et d’essai de l’Université de Rennes
1987

Isabelle Cahn

‘Les cadres impressionistes’, in
Revue de l’Art, LXXVI
1987, pp. 57-59

Isabelle Cahn

Cadres de peintres
Exh. cat., Paris, Musée d'Orsay
1989, 112 p. (37 illus.)

Isabelle Cahn

‘Degas's frames’, in
The Burlington Magazine, CXXXI, no. 1033
1989, April ,pp. 289-92 (7 figs.)

Isabelle Cahn & Jean-Jacques Gautier

Le cadre et le bois doré à travers les siècles
Exh. cat, Galerie Georges Bac, Paris
1991, 117 p. (colour illus.)

Isabelle Cahn

‘Cadres et cartels’, in
La jeunesse des musées: les musées de France au XIXème siècle
Exh. cat., Paris, Musée d’Orsay
1994, pp. 221-29

Isabelle Cahn

‘Bordures néo-impressionistes: une experimentation aux limites de la peinture’, in
Le néo-impressionisme: de Seurat à Paul Klee, ed. Serge Lemoine & Marina Ferretti-Bocquillon
Exh. cat., Musée d'Orsay, Paris
2005, pp. 62-71

Anthea Callen

‘Framing the debate’, in
The Art of Impressionism: Painting technique & the making of modernity, Anthea Callen
New Haven & London, Yale University Press
2000 (illus.)

Ellen Callmann

'William Blundell Spence and the transformation of Renaissance cassoni', in
The Burlington Magazine, CXLI
1999, June, pp. 338-48

Monika Cämmerer-Georges

Monika Cämmerer-Georges
Die Rahmung der toskanischen Altarbilder im Trecento
Strasbourg
1966, 288 p. (37 pp. of plates)

Lorne Campbell

National Gallery Catalogues. The Fifteenth Century Netherlandish School
London, National Gallery & Yale University Press
1998, 464 p. (110 colour & 270 b-&-w illus.)

Peter Cannon-Brookes

‘Picture Framing: A Neglected Art’, in
National Art Collections Fund Review
London
1984, pp. 84-94 (12 illus.)

Peter Cannon-Brookes

‘Editorial’, in
The International Journal of Museum Management and Curatorship, IV
1985, pp. 115-17

Peter Cannon-Brookes

‘Robert Tournières, Lord Bateman & two picture frames’, in
The International Journal of Museum Management and Curatorship, IV
1985 pp. 141-45 (8 illus.)

Peter Cannon-Brookes

'Cézanne, Gauguin & a picture frame', in
Museum Management and Curatorship, VIII, no 1
1989

Peter Cannon-Brookes

'Monet’s “standard issue picture frames”', in
Museum Management and Curatorship, X
1991, pp. 334-36

Peter Cannon-Brookes

'Picture framing I: Alfred Sisley & his picture frames', in
Museum Management and Curatorship, XI
1992, pp. 436-38 (3 figs.)

Peter Cannon-Brookes

'Picture framing: a Swedish Baroque frame to the design of Nicodemus Tessin the
Younger’, in
Museum Management and Curatorship, XIII
1994, March, pp. 106-07

Peter Cannon-Brookes

‘Picture framing: J.M. Whistler's picture frames in the Freer Gallery, Washington, in the
light of the 1994–95 Whistler exhibitions’, in
Museum Management and Curatorship, XIV
1995, pp. 206-12 (illus.)

Peter Cannon-Brookes

'Picture framing I: English picture frames in three London exhibitions’, in
Museum Management and Curatorship, XV
1996, pp. 218-23

Peter Cannon-Brookes

'Picture framing II: Leighton at the Royal Academy’, in
Museum Management and Curatorship, XV
1996, pp. 224-25 (illus.)

Peter Cannon-Brookes

'Picture framing II: the exhibition of ‘The Art of the Picture Frame’ , in
Museum Management and Curatorship, XV
1996, pp. 419-23 (illus.)

Peter Cannon-Brookes

'Picture framing: ‘Frameworks’ in London’, in
Museum Management and Curatorship, XVI
1997, pp. 207-10 (illus.)

Peter Cannon-Brookes

'Picture framing: a framed portrait from the Roman Empire', in
Museum Management and Curatorship, XVI
1997, pp. 312-14 (illus.)

Peter Cannon-Brookes

‘Picture framing: a conversation piece by Gawen Hamilton and its frame', in
Museum Management and Curatorship, XVII, no. 4
1998, pp. 442-44

Peter Cannon-Brookes

'Elias Ashmole, Grinling Gibbons and three picture frames', in
Museum Management and Curatorship, XVIII
1999, pp. 183-89 (3 figs.)

Elizabeth Cant

‘Does Gideon Saint have the answer? Pattern books and picture frame making in 19th century Australia', in
Australiana, 21
November 1999, pp. 117-20

Elizabeth Cant

‘Gilded sand and the decoration of the nineteenth-century Australian picture frame'
The World of Antiques and Art
December 1999-June 2000, pp. 40-42

Fabrizio Canto & Mario Mastrapasqua

Cornici XV-XVIII secolo/ Frames 15th-18th century, Italian & English text
Rome, Reality Book
2015, 310 p. (150 colour illus.)

Daniela Di Castro, Anna Maria Pedrocchi & Patricia Waddy

Il Palazzo Pallavicini Rospigliosi e la Galleria Pallavicini
Turin & London
2000, 396 p. (fully illus.)

Alessandro Cecchi

‘Les cadres ronds de la Renaissance florentine’, in
Revue de l’Art, LXXVI
1987, pp. 21-24

Alessandro Cecchi

'The conservation of Antonio and Piero del Pollaiuolo's altar-piece for the Cardinal of Portugal's chapel', in
The Burlington Magazine, CXLI
1999, pp. 81-5 (3 illus.)

Cennino d’Andrea Cennini

Il libro dell’arte (late C14-early C15)/ The craftsman’s handbook
Transl. by Daniel Thompson, Jnr, 1933
Republished by Dover Publications, New York
1954 & 1960, 142 p.

Louise Charbonnier

Cadre et regard: généalogie d’un dispositif
Paris
2008, 313 p. (illus. in b-&-w)

André Chastel

‘Le problème des cadres’, editorial in
Revue de l’Art, LXXVI
1987, pp. 5-6

Peter Cherry

‘The contract for Francisco de Zurbarán’s paintings of Hieronymite monks for the sacristy of the Monastery of
Guadalupe’, in 
The Burlington Magazine, CXXVII
1985, pp. 374-81

Carol Christensen

‘The painting materials and technique of Paul Gauguin’, in
Conservation research: Studies in the history of art, XLI
National Gallery of Art
1993, pp. 62-103 (2 illus.)

Anthony Clark, (ed.) Edgar Peters Bowron

Pompeo Batoni: A Complete Catalogue
Phaidon
1985, 416 p. (16 colour & 414 b-&-w illus.)

Mary Clark

‘ “A Principal Ornament for the Mayoralty House”: a portrait by Joshua Reynolds', in
Irish Arts Review, XV
1999, pp. 154-46

Christophe Clément (ed.)

Polytyques: le tableau multiple du moyen âge au vingtième siècle
Exh. cat., Musée du Louvre, Paris
1990, 293 p. (illus. in colour & b-&-w)

Timothy Clifford

'The historical approach to the display of paintings', in
The International Journal of Museum Management and Curatorship, I
1982

Alec Cobbe

'The framing and restoration of the historic Cobbe Collection', in
Clerics & Connoisseurs: the Rev. Matthew Pilkington, the Cobbe family and the fortunes of an Irish art collection through three centuries, ed. Alastair Laing
English Heritage
2001, pp. 74-79 (24 illus.)

Linda Colley

‘The English Rococo: historical background’, in
Rococo: art & design in Hogarth’s England, ed. Michael Snodin & Elspeth Moncrieff
Exh. cat., V & A, London
1984, pp. 10-13

Claire Constans

‘Encadrement et museographie: l’exemple du Versailles de Louis-Philippe’, in
Revue de l’Art, LXXVI
1987, pp. 53-56

F. G. Conzen & G. Dietrich

Bilderrahmen. Stilverwendung Material
Munich
1983, 145 p. (124 illus.)

F. G. Conzen et al.

Begegnung – Konfrontation/ Aktuelle Fotografie in historischen Rahmen
Exh. cat., Dusseldorf
2013

Nicholas Cooper

The Opulent Eye: Late Victorian and Edwardian Taste in Interior Design
London & New York
1976, 258 p. (fully illus. in b-&-w)

John Cornforth

‘The Style of Social Change’, in
Country Life, 28 September
1972, pp. 726-20

John Cornforth

English Interiors 1790-1848: The Quest for Comfort
London
1978, 144 p. (49 colour & 126 b-&-w illus.)

Elisabeth Cornu

‘Should conservators regild the lily? On the ethics of gilding conservation’, in
Papers presented at the Wooden Artefacts Group
AIC Annual Meeting 1986, Chicago, Illinois
American Institute for Conservation
1986

Anne Crookshank & the Knight of Glin

'Reflections on Some 18th Century Dublin Carvers' in
Avenues to the Past: Essays Presented to Sir Charles Brett on his 75th Year, ed. Terence Reeves-Smyth and Richard Oram
Belfast
2003 (18 illus.)

Deborah Davis

The secret lives of frames: one hundred years of art and artistry
Accompanying an exh. of the same name: ‘…from the Lowy Collection’
New York
2007, 223 p. (illus.)

Louisa Davey

‘Framing at the National Gallery', in
Gilding: approaches to treatment: A joint conference of English Heritage & the UK Institute for Conservation, September 2000
English Heritage
2001, pp. 47-52 (6 illus.)

Sarah Parkerson Day

‘Framing & connecting: Whistler, Freer & the Little Blue Girl’, in
Connecting Whistler: essays in honour of Margaret F. MacDonald, ed. Erma Hermens et al.
2010, pp. 42-46

Jean-Charles Delafosse

Nouvelle iconologie historique ou attributs hiéroglyphiques: Cahier B: Bordures
Paris; 1st part with 18 cahiers, 110 plates & 39 p. of text
1768 & 1771 (This cahier: 6 folios, 6 frame designs in 4 plates)

Delorme

‘Notes sur le mobilier artistique de la cathédrale de Soissons’, in
Bulletin de la Société archéologique, historique et scientifique de Soissons
3rd series, vol. 12
1903-04, pp. 265-92

Maurice Denis

Théories: du symbolisme au classicisme
Paris
1964, 181 p. (illus.)

Bernard Denvir (ed.)

The Impressionists at first hand
Thames & Hudson, London
1987 & 1991, 224 p. (17 colour & 178 b-&-w illus.)

Laurence Des Cars

‘Encadrer les tableaux’, in
La revue du Musée d’Orsay, no 2
1996, pp. 85-87

Leon Deshairs

‘Les cadres de tableaux en France, de la fin du XVIeme siècle au Premier Empire’, in
Cadres et bordures de tableaux de la fin du XVIeme siècle au Premier Empire
A. Calavas, Paris
1910-12, 10 p. (185 photographs on 62 plates)

Michèle Dhont

Encadrement: histoire et techniques
Paris, Editions L’Inédite
1990, 176 p.

Michèle Dhont

Les lavis en encadrement: histoires et techniques
Paris
1993, 176 p.

Michèle Dhont

Encadrement: nouveaux regards
Paris
1998, 205 p.

Paula Dredge

‘Sydney Trade Directories 1843-1932: Carvers, Gilders and Picture Framemakers'
Melbourne Journal of Technical Studies in Art, I
1999, pp. 49-80

Stephen Duffy & Jo Hedley

The Wallace Collection's Pictures: A Complete Catalogue
The Trustees of the Wallace Collection, London
2004

Jill Dunkerton

Giotto to Dürer: Early Renaissance Painting in The National Gallery
Yale University Press
1991, (illus.)

Charles Eastlake

Hints on Household Taste
London
1868; many editions; 3rd ed. 1872, 306 p. 376 (10 colour & 22 b-&-w illus.)

Elizabeth Easton & Jared Bark

‘ “Pictures properly framed”: Degas and innovation in Impressionist frames', in 
The Burlington Magazine, CL
2008, pp. 603-11 (illus.)

Bernd Ebert

‘Die originale Rahmung’, in 
Simon und Isaack Luttichuys,
Deutscher Kunstverlag, Berlin & Munich
2009, pp. 298-303 (illus.)

Ralph Edwards & Margaret Jourdain

Georgian Cabinetmakers
Country Life, London
1944, 1946, 1955, &c., 192 p. (illus. in b-&-w)

Ralph Edwards

‘Late Stuart Splendours at Kensington’, in
Connoisseur, CLII
1963, pp. 31-34

W. Ehlich

Bilderrahmen von der Antike bis zur Romantik
Dresden
1979, 173 p. (illus. in colour & b-&-w)

W. Ehlich

Bilder und rahmen bei Griechen und Römern
Winckelmann-Museum, Stendal
1986, 48 p. (illus.)

Elizabeth Einberg (ed.)

Manners and Morals: Hogarth & British Painting 1700-60
Exh. cat., Tate Gallery, London
1987

Paul-Bernhard Eipper

‘Wollfilzbeschichtungen an Innenfalzen von Gemäldezierrahmen’, in
Museum aktuell, XCVII, November
2003, pp. 4786-88 (2 illus.)

G. M. Ellwood & A. Braun

‘Italian frames of the 15th & 16th centuries’, in
Connoisseur, LXXXIII
1929, pp. 205-11

English Heritage

Gilding: approaches to treatment. A joint conference of English Heritage and the United Kingdom Institute for Conservation, 27-28 September 2000
English Heritage
2001, 84 p. (66 illus.)

Ana Maria Espinoza

‘A Framemaker of Colonial Melbourne: Isaac Whitehead (c.1819-1881)'
Melbourne Journal of Technical Studies in Art, I
1999, pp. 33-48

E. Fahy

'Les cadres d’origines des retables florentins du Louvre' in
La revue du Louvre et des musées de France, XXVI
1976, pp. 6-14

Kevin Fahy & Andrew Simpson

Australian Furniture: Pictorial History and Dictionary, 1788-1938
Woollahra (Casuarina Press)
1998 (illus.)

Solveig Falck-Therkelsen

'The restoration of seven Watts frames at the Tate Gallery', in
Conservation News. The Official Newsletter of UKIC
March, no.65
1998, pp. 34-36

L. Feduchi

El mueble español
Text in Spanish, English, French & German
Barcelona
1969, p.314 (262 colour & b-&-w illus.)

Félix Fénéon

‘L’exposition des Indépendants’, in
L’Art modern, 15 April
1888

Félix Fénéon

‘Les cadres’, in
Bulletin de la vie artistique
February
1922, pp. 60-62

Jorge Fernández-Santos Ortiz-Iribas

‘The Inventory of Pietro Mellini's Collection at the Palazzo Rosario in 1680', in 
The Burlington Magazine, CL
2008, August, pp. 512-19

John Fleming & Hugh Honour

The Penguin Dictionary of The Decorative Arts
London
1977, 895 p. (illus. in b-&-w)

Paul Fleury

Traité pratique de la dorure sur bois: procédé à l’eau, procédé à la mixtion pour travaux du meuble, du cadre, travaux du bâtiment
Paris, Garnier frères
1908, 194 p.

Jacques Foucart

‘Etude critique de l’encadrement’, in
Revue de l’Art, LXXVI
1987, pp. 7-14

Jacques Foucart

‘Bibliographie du cadre’, in
Revue de l’Art, LXXVI
1987, pp. 60-62

Jacques Foucart & Philippe Lorentz

‘Une politique d’encadrement pour les écoles de peintures septrionale’
Revue du Louvre et des musées de France, vol. 16, no 2
1997, pp. 207-10

Dominique Fourcade

‘Crise de cadre, à propos du tableau de Matisse: le peintre dans son atelier’
Cahiers du Musée national d’art moderne
1986, no 17-18, pp. 68-83

J. Fowler & J. Cornforth

English Decoration in the 18th Century
London
1974 & later eds, 288 p. (illus. in colour & b-&-w)

David Franklin & Louis Alexander Waldman

'Two late altarpieces by Bachiacca', in
Apollo, CLIV, August
2001, pp. 30-5 (9 illus.)

Richard Friedenthal (ed.)

Letters of the Great Artists: From Ghiberti to Gainsborough
Thames & Hudson, London
1963, 287 p. (110 colour & 192 b-&-w illus.)

S.E. Fuchs

Der Bilderrahmen
Recklinghausen
1985, 154 p. (146 illus.)

Peter Fuhring

Design Into Art: Designs for Architecture and Ornament – The Lodewijk Houthakker Collection
London, 2 vols
1989, 796 p. total in both vols (fully illus.)

Francisco Herrera García

‘En los márgenes del cuadro: el marco en la Sevilla Barroca', in
Domingo Martínez: en la estela de Murillo
Exh. cat., Centro Cultural el Monte, Seville
2004, pp. 109-27

Christopher Gilbert

Furniture at Temple Newsam House and Lotherton Hall
Vols I & II, Bradford
1978
& vol. III, Leeds
1998

Christopher Gilbert

The Life and Works of Thomas Chippendale
London & New York
1978, 288 p. (illus.)

Christopher Gilbert

Pictorial Dictionary of Marked London Furniture 1700-1840
Furniture History Society & W.S. Maney & Sons Ltd
1996 (illus.)

Creighton Gilbert

‘Peintres et menuisiers au début de la Renaissance italienne’, in
Revue de l’Art, XXXVII
1977, pp. 9-28 (18 illus.)

The Knight of Glin & James Peill

Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union
Yale University Press
2007, 323 p. (500+ illus.)

Hugh Glover

‘A Description of 19th-century American Gilded Picture Frames and an Outline of Their Modern Use and Conservation’, in
WAG Postprints (Wooden Artifacts Group of the American Institute for Conservation)
2006, 21 p. (14 illus.)

Catherine Monbeig Goguel

‘Le dessin encadré’, in
Revue de l’Art, LXXVI
1987, pp. 25-31

Traude Gomez-Rhine

‘Framed again: A Frederic Church landscape returns to the perfect setting', in
Huntington Frontiers
Huntington Library, Fall/Winter
2006, pp. 4-8

Alvar González-Palacios

The Adjectives of History
Exh. cat., Colnaghi’s, London
1983, 108 p. (illus. in colour & b-&-w)

Alvar González-Palacios

‘Concerning Furniture: Roman Documents and Inventories. I: c.1600-1720’, in
Furniture History, XLVI
2010, pp. 1-135

Alvar González-Palacios

‘Daguerre, Lignereux and the King of Naples's cabinet at Caserta', in
The Burlington Magazine, CXLV
2003, pp. 431-42 (15 illus.)

Gretchen Goodell

Historic Frames in the Fine Arts Collection
US General Services Administration (Fine Arts Program) & International Institute for Frame Study
1999 (illus. in b-&-w) 

Ted Gott, et al.

Modern Britain 1900-1960: Masterworks from Australian and New Zealand Collections
Exh. cat., National Gallery of Victoria
2007, 308 p.

Hervé Grandsart

‘La restauration d’un cadre monumental’
Connaissance des arts, no 650
2007, pp. 112-15

Michael Gregory

‘Picture framing I: Italian Renaissance frames’
International Journal of Museum Management & Curatorship
1990, no 3, pp. 316-17

Michael Gregory

‘A Review of English Gilding Techniques: original source material about picture frames’, in
Gilded wood: conservation & history, ed. D. Bigelow et al.,
Madison CT, 1991, pp.109-18 (5 illus.)

Michael Gregory

‘Lawrence, Morant and a Picture Frame from Harewood’, in
Museum Management and Curatorship, XV
1996, pp. 423-26 (illus.)

Michael Gregory

Frame estampillé P.F. Milet (pamphlet)
Arnold Wiggins & Sons, c. 2005

Michael Gregory

A Carved Picture Frame by Professor Giusti of Siena (pamphlet)
Arnold Wiggins & Sons, c. 2006

Alastair Grieve

‘Whistler and The Pre-Raphaelites’, in
Art quarterly, XXXIV, Summer
1971, pp. 219-28

Alastair Grieve

‘The applied art of D.G.Rossetti I: his picture frames’, in
The Burlington Magazine, CXV, January
1973, p. 16ff. (illus.)

Claus Grimm

Alte Bilderrahmen. Epochen-Typen-Material
Munich (Georg Callwey)
1978 (survey with extended bibliography; 483 b-&-w illus.)

Claus Grimm

The Book of Picture Frames (with a supplement on 'Frames in America' by George Szabo)
English ed. of Alte Bilderrahmen, New York (Albaris Books)
1981 (survey with 30 figs. and 489 plates; illus. in b-&-w)

Claus Grimm

‘Histoire du cadre: un panorama’, in
Revue de l’Art, LXXVI
1987, pp. 15-20

M. Guggenheim

Le cornice italiane dalla metà del secolo XV allo scorcio del XVI
Milan
1897, 13 p. of text (100 b-&-w plates)

S. Guglielmo

‘Cornici in legno nella sagrestia della chiesa di San Giobbe in Venezia’, in
Arte Italiana decorativa
Milan
1891, p.14

N. A. Hagmann

‘On the frames of old Russian icons, in connection with their restoration’, in
Proceedings of ICOM-CC 7th Triennial Meeting
Copenhagen, September 1984
Paris
1984

J. Halperin (ed.)

Félix Fénéon: Oeuvres plus que completes, I: Bulletin de la vie artistique
Geneva
1970

John Oliver Hand, Catherine Metzger & Ron Spronk

Prayers and Portraits: Unfolding the Netherlandish Diptych
Exh. cat., National Gallery of Art, Washington
Yale University Press
2006, 339 p. (90 b-&-w & 238 colour illus.)

John Hannavy

Case Histories: The Packaging and Presentation of the Photographic Portrait in Victorian Britain 1840-1875
Woodbridge, Antique Collectors' Club Art Books
2006, 144 p. (fully illus. in colour)

Edgar Harden

‘Claude et les quatre Louis: l’emploie de cadres anciens chez Monet', in
Dossier de l'Art, LVIII, a special issue of L’Estampille/ L’Objet d’Art
1999, May, pp. 64-67

Martin Hardie

Watercolour Painting in Britain, I
London
1967, 243 p. (242 illus.)

John Harris & Gordon Higgott

Inigo Jones: Complete Architectural Drawings
Exh. cat., The Drawing Center, New York
1989, 336 p. (36 colour & many b-&-w illus.)

Colin Harrison

‘An exhibition at the Oxford Town Hall in 1854' (a watercolour by George Pyne)
The Ashmolean, 47, Summer
2004, pp. 12-13

Moritz Hauptmann

Der Tondo, Ursprung, Bedeutung und Geschichte des Italienischen Rundbildes in Relief und Malerei
Frankfurt
1936, 319 p. (illus.)

Meg Hausberg & Victoria Sancho Lobis

Whistler and Roussel: Linked Visions
Online exh. cat., Art Institute of Chicago
2015 (illus.)

Henry Havard

‘L’exposition des artistes indépendants’, in
Le Siècle, 3 April
1881

Henry Havard

‘Cadre’, in
Dictionnaire de l’ameublement et de la decoration
Paris
1887-90; re-edited and issued by Vial, 4 vols
2012 (4 b-&-w illus.)

Helena Hayward

Thomas Johnson and English Rococo
London
1964, 191 p. (more than 40 b-&-w illus.)

Gunnar Heydenreich

Lucas Cranach the Elder: Painting Materials, Techniques and Workshop Practice
Amsterdam University Press
2007, pp. 464 (215 colour & 64 b-&-w illus.)

Henry Heydenryk

The Art and History of Frames: An Inquiry into the Enhancement of Paintings
New York, Heinemann
1963 (100 illus.)

Henry Heydenryk

The Right Frame: A Consideration of the Right and Wrong Methods of Framing Pictures
New York, Lyons & Burford
1964, p.108 (illus. in b-&-w)

Susanne Marie Holm

Le montage et l’encadrement des oeuvres sur papier
Centre de Conservation du Québec
1997, 27 p.

Timothy Holton

‘Close-framed Photographs', in
Picture Framing Magazine
October 2007, pp. 62-66 (8 illus.)

Timothy Holton

‘Hidden in Plain View: An Appreciation of the Oak Frame Tradition', in
Style: 1900 Magazine, XXI, Winter
2008, no. 4, pp. 46-53 (14 illus.)

Martin Hopkinson

'The Lithographs of Whistler', in
Print Quarterly, XVI
1999, pp. 83-88

Ira Horowitz

‘Whistler’s Frames’, in
Art Journal, XXXIX
2, 1979-80, pp. 124-31

Laura Houliston

'Frame Making in Edinburgh 1790-1830', in
Regional furniture, XIII
1999 (6 illus.)

Laura Houliston

‘Picture Frames’, in
The Suffolk Collection: a catalogue of paintings
English Heritage
2012, pp. 318-22 (illus.)

John House & Mary-Anne Stevens (ed.)

Post-Impressionism
Exh. cat., Royal Academy, London
1979, 303 p. (colour & b-&-w illus.)

Constantijn Huygens

Hofwyck
The Hague
1653; republished by Swan
1977

J-K. Huysmans

L’Art moderne
Paris, 1883; republished
1969

Gervase Jackson-Stops

‘Rococo Architecture and Interiors’, in
Rococo: Art and Design in Hogarth’s England, ed. Michael Snodin
Exh. cat., V & A, London
1984, pp.190-98

Gervase Jackson-Stops (ed.)

The Treasure Houses of Britain
Exh. cat., National Gallery of Art, Washington & Yale University Press
1985, 576 p. (500 colour & 150 b-&-w illus.)

Gervase Jackson-Stops

‘Southill Park, Bedfordshire’, in
Country Life, 28 April
1994, pp. 62-67

Simon Jervis

The Penguin Dictionary of Design and Designers
Penguin Books
1984

Thomas Johnson

One Hundred and Fifty New Designs, consisting of Ceilings, Chimney-pieces, slab Glass and Picture Frames, &c… the whole well adapted for Decorating all kinds of Ornamental Furniture in the present tastes
London
1758

Charles-Antoine Jombert

Répertoire des artistes
Paris, 1764; reprinted in facsimile
1914, 2 vols, I with 17 p. & 128 plates; II with 128 plates

Harvey Jones

The Art of Arthur and Lucia Mathews 
Exh. cat., Oakland Museum of California
San Francisco, Pomegranate
2006, 272 p. (illus. in colour & b-&-w)

Owen Jones

The Grammar of Ornament
London, 1856; reprinted in facsimile
1986, 272 p. & fully illus.

Margaret Jourdain

English Interior Decoration 1500-1830
London & New York
1950, 84 p. (8 colour & 187 b-&-w illus.)

Joop M. Joosten

'Framing Mondrian', unpublished paper for
‘Modern Art in the Laboratory ­ Technical Examination and Art Historical Implications’
a symposium, Harvard University, Cambridge, Mass., USA, 5 May 2001
See also Conservation News, no.76, November 2001, p. 47

Rainer Kahsnitz & Achim Bunz

Carved Altarpieces: Masterpieces of the Late Gothic
Thames & Hudson
2006, pp. 480 (400+ illus.; 382 colour)

Laurence Kanter

‘Issues in presentation: frames, fragments and context’, in
Early Italian paintings: approaches to conservation
Proceedings of a symposium at the Yale University Art Gallery, April 2002
Yale University Press
2003, pp. 264-74

Tatiana Karpova

Precious framing: the painting and its frame. Dialogues
Exh. cat., The State Tretyakov Gallery, St Petersburg
2014

Tatiana Karpova

‘The painting and the frame. Dialogues’, in
The Tretyakov Gallery Magazine, XLVI
Text in Russian & English
2015, 1, pp. 26-45 (22 colour illus.)

D. Gene Karraker

Looking at European Frames: A Guide to Terms, Styles and Techniques
J.Paul Getty Museum, Los Angeles
2009, 88 p. ( 60 colour & 3 b-&-w illus.)

Larry Keith, Ashok Roy, Rachel Morrison & Peter Schade

‘Leonardo da Vinci’s Virgin of the Rocks: treatment, technique & display’, in
National Gallery Technical Bulletin, XXXII
2011, pp. 49-54

William Kent

The designs of Inigo Jones, consisting of plans & elevations for publick & private buildings
London, 2 vols
1727

M. Kirby Talley

‘Extracts from the executors’ account-book of Sir Peter Lely, 1679-1691: An account of the contents of Sir Peter’s studio’, in
The Burlington Magazine, CXX, November
1978, pp. 745-49

Andrea Kirsh & Rustin Levenson

'Beyond the painting: on framing', in
Seeing through paintings: physical examination in art historical studies
Yale University Press
2000, pp. 246-53 (8 illus.)

Nicolaus Knut

‘Frames and working frames’, in
The restoration of paintings, Cologne
1999, pp. 145-53 (2 illus.)

Lisa Koenigsberg & Suzanne Smeaton

‘Trends in Modern American Framing. The Edward Wales Root Bequest: A Case Study’, in Auspicious Vision: Edward Wales Root and American Modernism
ed. Mary Murray, Paul Schweizer & Michael Somple
Munson Williams Proctor Arts Institute
2008, pp. 56-72

Hans Körner & Karl Möseneder

Format und Rahmen : Vom Mittelalter bis zur Neuzeit
Berlin, Reimer
2008, 270 p.

Stephen Kornhauser & Ulrich Birkmaier

‘Marsden Hartley's materials and working methods', in
Marsden Hartley: American Modernist, ed. Elizabeth Mankin Kornhauser
Exh. cat., Yale University Press
2003, pp. 274-76

Margaret L. Koster

'The Arnolfini double portrait: a simple solution', in
Apollo, Vol. CLVIII, no. 499, September
2003, pp. 3-14 (27 illus.)

Johann Kräftner (ed.)

Halt und Zierde: das Bild und sein Rahmen
Exh. cat., Liechtenstein Museum, Vienna
2009, 118 p. (colour illus.)

Hilton Kramer

John Marin: The Painted Frame,
Exh. cat., Richard York Gallery, New York
2000, 78 p. (35 illus.)

Alastair Laing (ed.)

In Trust for The Nation: Paintings from National Trust Houses
Exh. cat., National Trust in association with National Gallery, London
1995, 256 p. (fully illus. in colour)

Daniela Lambertini, Marcello Lotti, & Roberto Lunardi

Giuliano e la bottega dei da Maiano
Florence
1994, 215 p. (fully illus.)

Susan Larkin

‘How Hassam framed Hassams’, in 
Childe Hassam: American Impressionist, ed. H. Barbara Weinberg,
Exh. cat., Metropolitan Museum of Art Series
2004, pp. 325-42 (23 illus.)

Susan Larkin

‘On the edge: frames in the Huber Family Collection’, in
Barbara MacAdam, (ed.), Embracing elegance 1885-1920: American art from the Huber Family Collection
Exh. cat., Hood Museum of Art, Dartmouth College, NH
2011, pp. 24-30 (illus.)

Béatrice Lauwick & Roland Février

‘La restauration des cadres du musée de l’Orangerie’
Technè, no 29
2009, pp. 94-100

Georges Lecomte

‘Camille Pissarro’, in
Les hommes d’aujourd’hui, VIII, no 3666,
Paris
1890

Olaf Lemke & Roberta Bartoli

Text and image/ Text as image: Inscribed frames from the 16th century
Antike Rahmen und Antiquitäten, Berlin
2005, 26 p.

Giacomo Leoni

The architecture of A. Palladio, revis’d, design’d & publish’d by Giacomo Leoni, a Venetian
London, 2 vols; text in English, French & Italian
1715-20 (illus., with engravings replacing Palladio’s woodcuts)

Antoine Le Pautre

Desseins de plusieurs palais
Paris
1652, 38 p. (illus. with plans, elevations & ornamental details)

Philippa Lewis & Gillian Darley

Dictionary of Ornament
London
1986 (fully illus. in b-&-w)

Roberto Lodi & Amedeo Montanari

Repertorio della cornice Europea: Italia, Francia, Spagna, Paesi Bassi: dal secolo XV al secolo XX
Modena (Edizioni Galleria Roberto Lodi)
2003 (830 colour illus.; 830 b-&-w drawings)

Maurice Loyer

‘Le cadre français du XVIeme au XIXeme siècle’, in
Exposition du cadre ancien du XVIeme au XIXeme siècle
Exh. cat., Galerie Louis Sambon, Paris
1924 (37 illus.)

Oksana Lysenko

To Dress a Picture: Art and Frames in Russia from the Eighteenth to the Early Twentieth Centuries
Russian text only
Exh. cat., State Russian Museum, St Petersburg
2005, pp. 167 (fully illus., mainly in colour)

Ian McClure

'The Framing of Wooden Panels', in
The structural conservation of panel paintings, ed. Kathleen Dardes & Andrea Rothe Proceedings of a symposium at the J. Paul Getty Museum, 24-28 April 1995
Los Angeles, The Getty Conservation Institute, 1998, pp. 433-47 (8 illus.)

Charles McCorquodale

The History of Interior Decoration
Oxford, 1983; republished Phaidon
1990, 224 p. (illus.)

Joseph McDonnell

‘Continental Stuccowork and English Rococo Carving at Russborough’
Irish Architectural and Decorative Studies, 14
2011

Sue McKechnie

British silhouette artists and their work 1760-1860
Sotheby Parke Bernet, London
1978, pp. 34-51

Andrew McLaren Young, et al.

The Paintings of James McNeill Whistler
Yale University Press, 2 vols
1980, vol. I 248 p., vol. II 438 plates

Heather MacDonald

Stormy skies, calm waters: Vernet’s Lansdowne landscapes
Dallas Museum of Art
2011, pp. 48 (illus.)

Hilary Maddock

‘Picture Framemakers in Melbourne, c.1860-1930’, in
Melbourne Journal of technical studies in art
1999, pp. 1-32

Victoria Marsland-Boyer & Adriano Lorenzelli

'The Picture Frame in Context and the Art of Gilding', in
The Victoria Memorial Hall, Calcutta: conception, collections, conservation, ed. Philippa Vaughan Marg Publications, India
1997, pp. 81-90

Willem Martin

Alt. Hollandische Bilder (Sammeln/Bestimmen/Konservieren)
Berlin
1921

Pippa Mason

Designs for English Picture Frames
Exh. cat., Arnold Wiggins & Sons, London, March-April
1987

Pippa Mason & Michael Gregory

Of Gilding: An Essay on the Traditional Techniques of Gilding, Silvering and Gold Beating in England
Exh. cat, Arnold Wiggins & Sons
1989

Pippa Mason

'The Picture Frames’, in
Boughton House: the English Versailles, ed. Tessa Murdoch
London (Faber & Faber)
1992, pp. 90-95

Pippa Mason

'The Framing and Display of Watercolours', in
Watercolours from Leeds City Art Gallery
Exh. cat., Leeds City Art Gallery
1995, pp. 28-38 (5 illus.)

Pippa Mason

A Hang of English Frames 1620-1920 (pamphlet)
Arnold Wiggins & Sons, 1996

Sarah Medlam

‘Callet's Portrait of Louis XVI: A Picture Frame as a Diplomatic Tool', in
Furniture History, XXX
2007, pp. 143-54

Melbourne Journal of Technical Studies in Art, vol. 1,

Melbourne (University of Melbourne Conservation Service), 1999, (31 illus.)
(an issue dedicated to articles on the frame; mainly Australian)

Eva Mendgen

Künstler rahmen ihre Bilder. Zur Geschichte des Bilderrahmens zwischen Akademie und Sezession
Diss., Constance
1991 (123 illus.)

Eva Mendgen (ed.)

In Perfect Harmony: Picture + Frame 1850-1920
Exh. cat., Amsterdam, Rijksmuseum Van Gogh
1995, 178 p. (234 colour & b-&-w illus.)

Eva Mendgen

‘Historicism’, chap. 2 in
In Perfect Harmony: Picture + Frame 1850-1920
Exh. cat., Amsterdam, Rijksmuseum Van Gogh
1995

Christian Michel

‘Les cadres ovales en France au XVIIIeme siècle’, in
Revue de l’Art, LXXVI
1987, pp.51-52

Patrick Michel

‘Le format et le cadre', in
Mazarin, Prince de Collectionneurs:
Notes et documents des musées de France, XXXIV
Paris, NMR
1999, pp. 396-97 (illus. in b-&-w)

Oliver Millar

The Tudor, Stuart and Early Georgian Pictures in the Collection of Her Majesty The Queen
London
1963, 2 vols (see text vol. for information on frames)

Paul Mitchell

'The Framing Tradition', in
Picture framing, ed. Rosamund Wright-Smith
London (Orbis)
1980 (9 col. plates)

Paul Mitchell

'Italian Picture Frames 1500-1825: A Brief Survey', in
The Journal of the Furniture History Society, XX
1984, pp. 18-27 (30 plates)

Paul Mitchell

'A Signed Frame by Jean Chérin', in
The International Journal of Museum Management and Curatorship, IV
1985, pp.147-54 (8 figs.)

Paul Mitchell

‘Picture Frames in the Cartwright Collection’, in
Mr. Cartwright’s Pictures: A Seventeenth Century Collection
Exh. cat., Dulwich Picture Gallery
1987, pp. 16-19

Paul Mitchell

'Frames', in
Guide to the exhibited works in the Thyssen-Bornemisza Collection, Caroline de Watteville
Lugano and Milan
1989, pp. 365-71

Paul Mitchell

‘Wright’s Picture Frames’, in
Wright of Derby
Exh. cat., Tate Britain
1990, pp. 272-287

Paul Mitchell & Lynn Roberts

A History of European Picture Frames
Merrell Holberton, London, 1996, 136 p. (38 illus., 56 diagrams)
Previously published as ‘Frames’, in
The Macmillan [now Grove] Dictionary of Art, 34 vol., 1996

Paul Mitchell & Lynn Roberts

FRAMEWORKS: Form, Function & Ornament in European Portrait Frames
Merrell Holberton, London
1996, 480 p. (297 colour, 77 b-&-w illus.)

Paul Mitchell & Lynn Roberts

'Notes on Turner's Picture Frames', in
Museum Management and Curatorship, vol. 17. no. 3, September
1998, pp. 324-333

Paul Mitchell & Lynn Roberts

'Burne-Jone's Picture Frames', in
The Burlington Magazine, June
2000, pp. 362-370 (2 colour, 13 b-&-w illus.)

Paul Mitchell & Lynn Roberts

'Frames', in
The Oxford Companion to J.M.W.Turner, ed. Joll, Butlin & Herrmann
OUP
2001 [An abridged version of the article above, 'Notes on Turner's Picture Frames']

Paul Mitchell & Lynn Roberts

'Stubbs's Frames', in
George Stubbs, Painter: A Catalogue Raisonné, Judy Egerton
Yale University Press
2007 (4 colour illus. of frames)

Paul Mitchell & Lynn Roberts

'Frames for the Falmouth Art Gallery Collection' + catalogue entries in
Falmouth FRAMEWORKS, Brian Stewart, Lynn Roberts & Paul Mitchell
Exh. cat., Falmouth Art Gallery
2011, 480 p. (300 colour & 70 b-&-w illus.)

Paul Mitchell & Lynn Roberts

'Framing Arcimboldo', in
Giuseppe Arcimboldo: Two Portraits of Flora
Exh. cat., Fundación Juan Marc; English & Spanish editions
2014

Elisabeth Mognetti

‘Cesare Brandi et les primitifs italiens de la collection Campana: le cadre II’, in
Il pensiero di Cesare Brandi, dalla teoria alla pratica/ Cesare Brandi’s thoughts: from theory to practice
Saonara, Il Prato
2008, pp. 342-50

Renate Möller

Bilder- und Spiegelrahmen
Deutscher Kunstverlag, Munich & Berlin
2001, 134 p.

Alessandro Morandotti & Mauro Natale

Collezione Borromeo: La Galleria dei Quadri dell'Isola Bella
Milan
2011, 415 p. (fully illus.)

Giuseppe Morazzoni

Le cornici veneziane
Milan 1940 & 1954; Milan (L. Alfieri) 1953

Marilena Mosco

‘La Galleria Palatina: il quadro e la cornice’, in
La Citta degli Uffizi
Exh. cat., Florence
1982, pp. 71-83

Marilena Mosco

‘Les cadres de Léopold de Médicis’, in
Revue de l’Art, LXXVI,
1987, pp. 37-40

Marilena Mosco

Antiche cornici italiane dal cinquecento al settecento
Exh. cat., Tokyo, 1991; Florence, Galleria deigli Uffizi
1991

Marilena Mosco and Edit Revai (eds)

Cornici barocche e stampe. Restaurate dai depositi di Palazzo Pitti
Exh. cat., Florence, Palazzo Pitti
1998, 96 p. (illus.)

Marilena Mosco

'Two important Crosten frames for two unpublished paintings by Bartolomeo Bimbi', in
DecArt, I, March
2004, pp. 8-15 (8 illus.)

Marilena Mosco

Cornici dei Medici/Medici frames: La fantasia barocca al servizio del potere. Medici frames: Baroque caprice for the Medici princes, simultaneous Italian/English texts
Transl. Eve Leckey & Françoise Chiarini
Edizioni Polistampa, 2007, 272 p. (colour illus.)

Laurence Mugniot

Objets d'affection, Etude, restauration et conservation de six portraits miniatures peints à l'huile (Chantilly, Musée Condé): Evaluation des contraintes provoquées par l'encadrement et adaptation du montage
Saint-Denis, Inp. Département des restaurateurs du patrimoine
2007, 170 p. + appendices

Susan Mulhall

‘Irish Frames and Framemakers: 1660-1900’, in
Art & Architecture of Ireland, ed. Nicola Figgis
2014, II, pp.141-46 (illus.)

Tessa Murdoch

'Jean, René and Thomas Pelletier, a Huguenot family of Carvers and Gilders in England 1682-1726. Part I', in
The Burlington Magazine, CXXXIX
1997, pp. 732-42

Tessa Murdoch

'Jean, René and Thomas Pelletier, a Huguenot family of Carvers and Gilders in England 1682-1726. Part II', in
The Burlington Magazine, CXL
1998, pp. 363-74

Tessa Murdoch

‘The King's Cabinet-Maker: The Giltwood Furniture of James Moore the Elder', in 
The Burlington Magazine, CXLV
2003, pp. 408-20

Tessa Murdoch

‘A French Carver at Norfolk House: The Mysterious Mr Cuenot', in
Apollo, CLXIII, June
2006, pp. 54-63

Peter Nahum

Twenty Important Works from the 18th to the 20th Century
Exh. cat., Peter Nahum Gallery, London
1989

National Gallery review of the year

April 2007 to March 2008
National Gallery, London
2008

National Gallery review of the year:

April 2010 to March 2011
National Gallery, London
2011

Timothy Newbery

'Towards an Agreed Nomenclature for Italian Picture Frames’, in
The International Journal of Museum Management and Curatorship, IV
1985, pp.119-28 (12 figs./illus.)

Timothy Newbery, G. Bisacca and L. Kanter

Italian Renaissance Frames
Exh. cat., New York, Metropolitan Museum,
1990 (24 figs., 84 plates)

Timothy Newbery

Frames and Framings in the Ashmolean Museum
Oxford, Ashmolean Museum
2002, 80 p. (37 illus.)

Timothy Newbery

‘Appendix of Original Frames in the Ashmolean Museum', in 
The Ashmolean Museum: Complete Illustrated Catalogue of Paintings, ed. Catherine Casley et al. Oxford
2004, pp. 293-96. 

Geraldine Norman

'In the Frame', in
Hermitage Magazine, I, Summer
2003, pp. 8-9 (3 illus.)

S. Kennedy North

‘The framing of valuable large paintings’, in
The Burlington Magazine, LXI
1932, pp. 12-13

Hannelore Nützmann (ed)

Schöne Rahmen: Aus den Beständen der Berliner Gemäldegalerie
Exh. cat., Staatliche Museen zu Berlin
2002, 91 p. (fully illus.)

Judy Oberhausen and Nic Peeters

'Rediscovering a Pre-Raphaelite Masterpiece: a Spencer Stanhope Altarpiece', in
The British Art Journal, Vol. VIII, no. 1, Summer
2007, pp. 68-72 (15 illus.)

Louise O'Connor

'Hamilton's Pastel Portraits: Materials and Techniques', in
Hugh Douglas Hamilton (1740-1808): A Life in Pictures, ed. Anne Hodge 
Exh. cat., National Gallery of Ireland
2008, pp. 50-53 (illus.)

Caroline Oliver

‘Gilbert’s Frames and their context in Guildhall Art Gallery’, in
Sir John Gilbert: Art and Imagination in the Victorian Age, ed. S. Bucklow & S. Woodcock
Exh. cat., Guildhall Art Gallery
2011, pp. 206-19

Michelle O'Malley

The Business of Art: Contracts and the Commissioning Process in Renaissance Italy
Yale University Press
2005, 360 p. (100 b-&-w & 25 colour illus.)

Harriet O’Neill

‘Twenty-first Century approaches to reframing Italian Renaissance panels at the National Gallery’ Authenticity and Replication:
The ‘real thing’ in Art and Conservation
ed. Rebecca Gordon et al.
Proceedings of an International Conference, University of Glasgow, 2012
London, Archetype Publications
2014, pp. 49-60 (illus.)

Richard Ormond & Carol Blackett-Ord

Franz Xavier Winterhalter
Exh. cat., National Portrait Gallery, London
1987 (illus. in colour & b-&-w)

J. Ortega y Gasset

‘Meditacion del marco’
Transl. into English; repr. in
Richard R. Brettell & Steven Starling
The Art of the Edge: European Frames, 1300-1900
Exh. cat., Art Institute of Chicago
1986

Frederick Oughton

Grinling Gibbons and the English Woodcarving Tradition
London
1979, 224 p. (illus. in b-&-w).

Marta Palao & Susana Perez

‘Los marcos de la Colección Thyssen-Bornemisza: Adaptación a las nuevas exigencias expositivas’, in 
El marco en España: historia, conservación y restauración
Madrid, 2009, pp. 39-58

G. Paolo

‘Una cornice del secolo XVII a la piccola galleria de Pordenone’, in
Arte Italiana decorativa
Milan, 1894, p. 8

Maria Letizia Papini

L'ornamento della pittura. Cornici, arredo e disposizione della Collezione Corsini di Roma nel XVIII secolo
Rome
1998, (illus. in b-&-w)

Sarah Lawrence Parkerson

Variations in Gold: The Stylistic Development of the Picture Frames used by James McNeill Whistler
Ph.D. diss., University of Glasgow
2007

John Payne

Framing in the Nineteenth Century: Picture Frames 1837-1935
National Gallery of Victoria, Melbourne
2007, pp. 288

Nicholas Penny

'Frame Studies I: Reynolds and Picture Frames', in
The Burlington Magazine, CXXVIII
1986, pp. 810-25 (29 illus.)

Nicholas Penny

'Raphael's Madonna dei garofani Rediscovered', in
The Burlington Magazine, CXXXIV, no. 1067
1992, pp. 67-81 (27 illus.)

Nicholas Penny

'The Study and Imitation of Old Picture-Frames', in
The Burlington Magazine, CXL
1998, pp. 375-82
(& see letter, The Burlington Magazine, CXLI, 1999, p. 354)

Nicholas Penny

The Sixteenth Century Italian Paintings I: Paintings from Bergamo, Brescia and Cremona
National Gallery, London
2004 (illus.)

Nicholas Penny

'Exhibition reviews: Italian Art in The Royal Collection', in
The Burlington Magazine, CIL
2007, pp. 795-98 (8 illus.)

Nicholas Penny, Peter Schade & Harriet O’Neill

The Sansovino Frame
Exh. cat., National Gallery, London
2015, (65 colour illus.)

Nicholas Penny & Karen Serres

‘Duveen and the Decorators’, in
The Burlington Magazine, CXLIX, 2007, pp. 400-06 (4 illus.)

Nicholas Penny & Karen Serres

‘Duveen’s French Frames for British Pictures’, in
The Burlington Magazine, CLI, 2009, pp. 388-94 (10 illus.)

Nicholas Penny

A Closer Look: Frames
National Gallery, London, 2010, pp. 96 (fully illus.)

Samuel Pepys

The Diary of Samuel Pepys, ed. R. Latham & W. Matthews, 11 vols
London, 1970-83

C. Percier & P. Fontaine

Recueil de décorations intérieures
Venice, 1843

Horacio Pérez-Hita,

La colección Alorda-Derksen: marcos de los siglos XVI-XVIII/ The Alorda-Derksen Collection: Frames from 16th-18th Centuries, simultaneous Spanish/English texts
Barcelona and London
2006, pp. 275 (fully illus.)

Roy Perry & Peter Booth

‘Some Notes on the Framing of Paintings’, in
The Conservator, II, 1978, pp. 41-44 (2 illus.)

Ricahrd Phelan

Le questionnement du cadre par la peinture américaine depuis 1945
Doctoral thesis, Université Lumière
2006

Caroline Piel

‘Remise en état du cadre’, in
Histoire d’un tableau de Rubens: L’Adoration des bergers de la Cathedrale de Soissons
Exh. cat., Amiens, DRAC Picardie
1993, pp.112-17

Camille Pissarro: letters to his son Lucien

John Rewald (ed.)
London, 4th edn
1980 (90 b-&-w illus.)

Carol Plazotta, Michelle O’Malley, Ashok Roy, Raymond White & Martin Wyld

'The Madonna di Loretto: An altarpiece by Perugino for Sta Maria dei Servi, Perugia', in
National Gallery Technical Bulletin, XXVII
2006, pp.72-95

Bruno Pons

De Paris à Versailles, 1699-1736. Les sculpteurs ornemanistes et l’art decorative des Bâtiments du roi
Universities of Strasbourg
1986 (doctoral thesis, 1982)

Bruno Pons

‘Les cadres français du XVIIIeme siècle et leurs ornements’, in
Revue de l’Art, LXXVI
1987, pp. 41-50

Bruno Pons

‘Le cadre monumental’, in
Histoire d’un tableau de Rubens: L’Adoration des bergers de la Cathedrale de Soissons
Exh. cat., Amiens, DRAC Picardie
1993, pp.47-51

Christine Powell

'Some French and English Gilding Techniques: the making and gilding of an 18th century English-style mirror frame with tooled gesso work', in
SSCR Journal: The Quarterly News Magazine of the Scottish Society for Conservation and Restoration, IX, 1998, pp. 5-14

Christine Powell & Zoë Allen

Italian Renaissance Frames at the V&A: A Technical Study 
Routledge, New York & London
2009, pp. 224 (colour illus., cross-sections)

Mario Praz

La filosofia dell’arredamento, 1945
Transl. by William Weaver as
An illustrated history of interior decoration
Thames & Hudson, London
1981 (400 illus.; 64 colour)

Marie-France Ramspacher

L’encadrement des tableaux au XVIIeme siècle
Mémoire de muséologie à l’Ecole du Louvre
Paris
1985-86

Gérard Raurich & Françoise Coffrant

Encadrements d’artistes
Paris, Editions Fleurus
1998, pp. 121

Nancie Ravenel

‘Painted Italian Picture Frames in the Samuel H. Kress Foundation Collection at the National Gallery of Art’, in
Painted Wood: History and Conservation
Los Angeles, 1998, pp. 100-09 (6 illus.)

Lynn Roberts

'Nineteenth Century English Picture Frames I: The Pre-Raphaelites', in
The International Journal of Museum Management and Curatorship, IV
1985, pp. 155-72 (24 b-&-w illus.)

Lynn Roberts

'Nineteenth Century English Picture Frames II: The Victorian High Renaissance', in
The International Journal of Museum Management and Curatorship, V
1986, pp. 273-93 (25 b-&-w illus.)

Lynn Roberts

'Victorian Frames' in
In Perfect Harmony, ed. Eva Mendgen,
Exh. cat., Amsterdam, Rijksmuseum Van Gogh
1995, pp. 57-86 (illus. in colour & b-&-w)

Lynn Roberts

'Glossary of Frame Terms', in 
William Holman Hunt: A Catalogue Raisonné, Judith Bronkhurst
Yale University Press
2006, vol. II of 2, pp. 298-99

Lynn Roberts

'Frames for Pictures by Ford Madox Brown', in 
Ford Madox Brown: A Catalogue Raisonné, Mary Bennett
Yale University Press
2010, vol. II of 2, pp. 557-90 (illus.)

Lynn Roberts

'Artists' Frames', in 
The Cult of Beauty, ed. Stephen Calloway et al.
Exh, cat., V & A Publications
2011, pp. 184-87

Serge Roche

Cadres français et étrangers du XVeme siècle au XVIII eme siècle
E. Bignou, Paris
1931 (215 b-&-w illus. in 150 plates)

Bettina von Roenne

Ein Architekt rahmt Bilder: Karl Friedrich Schinkel und die Berliner Gemäldegalerie
Exh. cat., Gemäldegalerie, Berlin
2007, pp. 144 (130 illus.)

Marco Romanelli et al.

Intorno alla fotografia: 37 cornici per 37 fotografi
Italian text, with English transl. by Rodney Stringer
Exh. cat., Association Jacqueline Vodoz et Bruno Danese
now Fondazione Vodoz Danese, Milan & Paris
1998, 103 p. (illus. in colour & b-&-w)

Jenny Rose

'An Investigation into the Domestic Care of Paintings in English Country Houses in the 18th & 19th Centuries', in
Studies in the History of Paintings Restoration, ed. Christine Sitwell & Sarah Staniforth
1998, London, pp. 139-80

Isabelle Rouault

‘Prefatory note’, in
Rouault: L’Oeuvre peint, I
Monaco, 1988

Christopher Rowell

‘The Kingston Lacy Raphael and its Frame (1853-56) by Pietro Giusti of Siena’, in
National Trust Historic Houses & Collections Annual
National Trust/ Apollo
2014, pp. 40-47 (illus.)

J. Claret Rubrire & Marquis de Lozoya

Muebles de estilo Español desde el gotico hasta el siglo XIX
Barcelona
1962, pp.451 (illus.)

J. Claret Rubrire

Encyclopaedia of Spanish Period Furniture Designs
New York, 1984

F. Sabatelli, E. Colle & P. Zambrano

La cornice italiana dal Rinascimento al Neoclassico
1992, Milan, (115 figs., 117 col. plates)

Xavier Salmon

‘Versailles: les chasses exotiques de Louis XV’, in
L’Objet d’Art, 297
1995, December, pp.34-51

François de Salverte

Les ébénistes du XVIIIeme siècle: leurs oeuvres et leurs marques
1927, Paris & Brussels, pp. 374 (66 illus.)

Hermione Sandwith

‘National Trust Picture Frame Survey', in
The International Journal of Museum Management and Curatorship, IV
1985 pp. 173-78 (8 illus.)

Chevalier J. Saulo de Saint-Victor & E. Stahl

Nouveau manuel complet du fabricant de cadres, passé-partout, chassis, encadrements, &c., suivi de la restauration des tableaux et du nettoyage des gravures, estampes, &c.
Paris, Léonce Laget
1979, pp. 179

Malgorzata Sawicki

'Picture frame conservation or... repairing?' in
AICCM (Inc) Bulletin, XX
Australian Institute for the Conservation of Cultural Materials (Inc), 1995, pp. 17-25

Malgorzata Sawicki

'The Visit of the Queen of Sheba by Edward Poynter, 1884-90. The frame revisited', in
AICCM (Inc) Bulletin, XXII
Australian Institute for the Conservation of Cultural Materials (Inc), 1997-98

Peter Schade

‘Framing: Paul Levi (1919-2008)’, in
The National Gallery review of the year: April 2008-March 2009
National Gallery, London, 2009, pp. 28-29 (2 illus.)

Peter Schade & Nicholas Penny

‘Framing and reframing Rembrandt’, in
The National Gallery review of the year: April 2008-March 2009
National Gallery, London, 2009, pp. 30-32 (4 illus.)

Peter Schade

‘Reframing Luca Giordano’s Perseus turning Phineas and his Followers to Stone’, in
The National Gallery review of the year: April 2012-March 2013
National Gallery, London, 2013, pp. 40-42 (2 illus.)

Iris Schaefer, Caroline von Saint-George & Katja Lewerentz

Painting Light: The Hidden Techniques of The Impressionists
Milan, Skira
2008, pp. 179-87

Meyer Schapiro

‘On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image Signs’, in
Semiotica, I, no 3
1969, pp. 223-42

Herbert Schiffer

The Mirror Book: English, American and European
Pennsylvania
1983 (704 illus.)

Victor Schmidt

‘Frames and Hinges’, in
Painted Piety: Panel Paintings for Personal Devotion in Tuscany 1250-1400
Florence
2005, pp. 37-44 (illus.)

Tobias Schmitz

Lexikon der europäischen Bilderrahmen
Published by the author (in German),
Germany
2003 (510 illus.)

Tobias Schmitz

Schmitz Compendium of European Picture Frames 1730-1930
English ed. with updates of Lexikon der europäischen Bilderrahmen
Translated by Faith Puleston
Published by the author
Germany
2012, pp. 320

Antoine Schnapper

‘Bordures, toiles et couleurs: une révolution dans le marché de la peinture vers 1675’
Bulletin de la Societé de l’histoire de l’art français for 2000
2001, pp. 85-104

Annie Schneider

‘L’encadrement’
Métiers d’art, vol. 2
2009, November-December, no 248, pp. 46-51

Daniel B. Schneider

‘The frame-up', in
ARTnews, IC
2000, pp. 142-47 (10 illus.)

Stuart Schneider

Collecting Picture and Photo frames
Schiffer Publishing
1998, 160p. (400 + colour illus.)

 

Esther Scholten

'L'oeuvre d'art et son cadre: des cadres de la Collection Frits Lugt', in
Cadres revisités: Chefs-d'oeuvres de la photographie néerlandaise présentés dans les cadres anciens de la Collection Frits Lugt
Exh. cat., Fondation Custodia, Paris
2005, pp. 53-71

Christoph Schölzel

'Der Dresdener Galerierahmen Geschichte, Technik, Restaurierung', in
ZKK: Zeitschrift für Kunsttechnologie und Konservierung, XVI
2002, pp. 104-29 (34 illus.)

Christoph Schölzel (ed.)

Die Blendenden Rahmen: Der Dresdener Galerierahmen
Exh. cat., Staatliche Kunstsammlungen Dresden
2005, pp. 47 (fully illus.)

Emma Schmuecker

‘The use and identification of traditional techniques and materials for the conservation and restoration of picture frames’, in
The Picture Restorer
2002, XXI, Spring, pp. 13-17 (3 illus.)

Nancy Rivard Shaw

‘Marriages, Divorces, and Reconciliations: Challenges in Framing a Museum Collection', in
The Gilded Edge: The Art of The Frame, ed. Eli Wilner
Chronicle Books, San Francisco
2000, pp.178-93 (14 illus.)

Hilarie Sheets

‘An Impressionist frame of mind', in
ARTNews
2003, November, pp.104-08 (4 illus.)

Masako Shinn

‘Mortimer Luddinton Menpes: a Japanophile in Victorian England', in
Apollo, CLIV
2001, November, pp. 13-20

Dimitri Shipounoff

‘Picture framing I: La réparure’, in
The International Journal of Museum Management and Curatorship, XIII
1994, pp. 431-34

Helge Siefert

Claude-Joseph Vernet (1714-89)
Exh. cat., Neue Pinakothek
Munich
1997 (illus.)

Helge Siefert & Verena Friedrich

Rahmenkunst: Auf Spurensuche in der Alten Pinakothek
Exh. cat., Alte Pinakothek
Munich
2010, pp. 263 (mainly colour illus.)

Paul Signac

‘Excerpts from the Unpublished Diary of Paul Signac, I, 1894-95’
Transl. by John Rewald, in
Gazette des Beaux-Arts, XXXVI
1949, pp. 97-128

Jacob Simon

'Frame studies II: Allan Ramsay and Picture Frames', in
The Burlington Magazine, Vol. CXXXVI
1994, no. 1096, pp. 444-55 (illus.)

Jacob Simon

The Art of the Picture Frame: Artists, Patrons and the Framing of Portraits in Britain
Exh. cat., National Portrait Gallery, London
1996 (illus. in colour & b-&-w)

Jacob Simon

'A note on Arthur Melville (1855-1904) and picture frames', in 
Museum Management and Curatorship, vol. XVI
1997, pp. 427-33 (illus.)

Jacob Simon

'The production, framing and care of English pastel portraits in the 18th century', in
The Paper Conservator, XXII
1998, pp. 10-20 (illus.)

Jacob Simon

'Thomas Johnson's The Life of the Author', in
Furniture History Society, 2003 (13 illus.)
Also published in Furniture History, XXXIX
pp. 63 (illus.)

Jacob Simon

‘Picture Framing at Ham in the Seventeenth Century’, in
Ham House: 400 years of collecting and patronage, ed. Christopher Rowell
Yale University Press
2013, pp. 144-57 (18 illus.)

Justine Simoni

The Art of the Frame: Gems from The Simoni Collection
Exh. cat., Pensacola Museum of Art, Florida
2004, pp. 47 (27 illus.)

Kim Sloan

J.M.W. Turner. Watercolours from the R.W. Lloyd Bequest to the British Museum
Exh. cat., British Museum
1998

Suzanne Smeaton & Nina Gray

‘Within Gilded Borders: The Frames of Stanford White’, in
American Art: National Museum of American Art
Smithsonian Institution, VII
1993, Spring, no 2, pp. 33-45

Suzanne Smeaton

‘Embracing Realism: Frames of The Ashcan Painters 1895-1925’, in 
Life’s Pleasures: The Ashcan Artists’ Brush with leisure, 1895-1925, ed. James Tottis
Exh. cat., Detroit Institute of Arts
2007, pp. 90-105 (illus., mainly in colour)

Suzanne Smeaton

The Art of the Frame: Gems from The Simoni Collection
Exh. cat., Pensacola Museum of Art, Florida
2004, 47 p. (illus. in colour)

Erika Jaeger Smith

Carved, Incised, Gilded and Burnished: The Bucks County Framemaking Tradition
Exh. cat., James A. Michener Art Museum, Pennsylvania
2000, pp. 64 (fully illus. in colour)

Michael Snodin & Maurice Howard

Ornament: A Social History Since 1450
Yale University Press
1996, pp. 232 (139 colour & 102 b-&-w illus.)

Museo Sorolla

Los marcos tallados del Museo Sorolla
Online booklet (‘Work of the month’)
2012, September, pp. 30 (fully illus. in colour)

Sotheby's sale cat.,

Old Master Paintings from the Collection of Gustav Adolf Sparre (1746-94)
London
2007, 5 December

Frances Spalding

Magnificent Dreams: Burne-Jones and the Late Victorians
Phaidon, Oxford
1978, pp. 80 (illus. partly in colour)

Sabine & Klaus Spindler

Bilderrahmen des Klassizismus und der Romantik 1780-1850
Spindler Fine Arts
2007, p. 168 (illus.)

Theodore Stebbins (with Janet Corney & Karen Quinn)

The Life and Work of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné
Yale University Press
2000, pp. 84-85 (colour & b-&-w illus.)

Joyce Hill Stoner

'Whistler's Views on the Restoration and Display of his Paintings', in
Studies in Conservation, XLII
1997, pp. 107-14 (6 illus.)

Alfred Strange & Leo Cremer

Alte Bilderrahmen
Darmstadt, Franz Schneekluth
1958, p. 40 (25 illus.)

Thomas Arthur Strange

French Interiors, Furniture, Decoration, Woodwork and Allied Arts…
London, c.1890; c.1910
Republished New York
1950 & 1968, p. 368 (b-&-w illus.)

Véronique Strasser & Olivier Masson

Le montage et encadrement d’oeuvres d’art sur papier
Geneva, Cabinet des estampes
1995, pp. 63

Susan Stuart

‘Picture Frames’, in
Gillows of Lancaster and London, 1730-1840: Cabinetmakers and International Merchants. A Furniture and Business hHstory, Vol. II
Antique Collectors' Club Ltd, 2 vols
2008, pp. 34-45 (16 illus.)

Virginia Surtees (ed.)

The Diary of Ford Madox Brown
Yale University Press
1981, p.237 (b-&-w illus.)

Vern Swanson

Sir Lawrence Alma-Tadema: The Painter of the Victorian Vsion of the Ancient World
London
1977, p.144 (illus. in colour & b-&-w)

Vern Swanson

The Biography and Catalogue Raisonné of the Paintings of Sir Lawrence Alma-Tadema
London
1990, pp.511 (illus., partly in colour)

Oleg Tarasov

Rama i obraz: Ritorika obramleniya v russkom iskusstve
2007, Russian text; transl. by
Robin Milner-Gulland & Antony Wood, as
Framing Russian Art: From Early Icons to Malevich
2011, London, pp. 415 (fully illus.)

P. J. J. van Thiel & C. J. de Bruyn Kops

Prijst de Lijst
Exh. cat., Amsterdam, Rijksmuseum, 1984
Transl. as
Framing in the Golden Age
London
1995 (117 illus & diagrams)

P. J. J. van Thiel

‘The framing of paintings in the Rijksmuseum since 1800’
Bulletin van het Rijksmuseum, vol. 28
1979, pp. 159-79, & pp. 206-10

P. J. J. van Thiel

‘Eloge du cadre: la pratique hollandaise’, in
Revue de l’Art, LXXVI
1987, pp. 32-36

R. Thorel

De l’influence du cadre dans les oeuvres d’art
Paris, 1904

R. Thorel

De l’influence du cadre dans les oeuvres d’art
Paris, 1904

Peter Thornton

Seventeenth Century Interior Decoration in England, France and Holland
Yale University Press
1978, p. 427 (320 b-&-w & 17 colour illus.)

Peter Thornton

Authentic Décor: The Domestic Interior 1620-1920
Viking, London
1984, p. 408 (532 colour & b-&-w illus.)

María Pía Timón Tiemblo

Coleccion Cano de P.E.A.: El marco español en la historia del arte/The Spanish frame in the history of art, simultaneous Spanish/English texts
Transl. by Deirdre MacCloskey
Publicaciones Europeas de Arte, Madrid
1998, p. 109 (illus. in colour)

María Pía Timón Tiemblo

El marco en España: del mundo romano al inicio del modernismo
Humanes, Madrid
2002, p. 394

María Pía Timón Tiemblo

El marco en España: historia, conservación y restauración
Instituto del Patrimonio Cultural de España, Madrid
2009, p. 84

Maurice Tomlin

‘Picture Frames at Ham House', in
The International Journal of Museum Management and Curatorship, IV
1985 pp. 129-40 (21 illus.)

Joyce H. Townsend, Rica Jones & Stephen Hackney

Paint and Purpose: A Study of Technique in British art
London, Tate Publishing
2004 (illus.)

Joyce H. Townsend, Jacqueline Ridge & Stephen Hackney

Pre-Raphaelite Painting Techniques
London, Tate Publishing
2004 (illus.)

Joyce Townsend, Robin Hamlyn & John Anderson

‘The Presentation of Blake's Paintings', in
William Blake: The Painter at Work, ed. Joyce H. Townsend
London, Tate Publishing
2003

Christine Traber

‘In Perfect Harmony? Escaping the Frame in the Early Twentieth Century’, in
In Perfect Harmony, ed. Eva Mendgen,
Exh. cat., Amsterdam, Rijksmuseum Van Gogh
1995, pp. 221-46

Anna Nikolaievna Trifona

‘The Silver-framed Icon in Old Russian Art’, in
Proceedings of International Council of Museums (ICOM-CC) 11th Triennial Meeting Edinburgh, September, 1996
London, 1996
pp. 316-21 (5 illus.)

Cobus van Breda

‘J.M.W. Turner: At the Watercolour's Edge', in 
Melbourne Journal of Technical Studies in Art, vol I
1999, pp. 137-46

Vincent van Gogh: the letters, ed. Leo Jansen et al.

Amsterdam, Van Gogh Museum, 6 vols
2009, pp. 2164 (4,300 illus.)

Peter van der Ploeg & Carola Vermeeren

Princely Patrons: The Collection of Frederick Henry of Orange and Amalia of Solms in The Hague
Exh. cat., Mauritshuis, The Hague
1997, pp. 164-69.

Vasari

Lives of the Most Excellent Painters, Sculptors and Architects
Florence, 1550
Transl. by A.B. Hinds
London, 1963, II

Anne Vazquez

‘American Frames: 1900-1950', in
Picture Framing Magazine, XII
March 2001, pp. 74-82 (10 illus.)

Anne Vazquez

‘American Frames: the 1950s', in
Picture Framing Magazine, XII
May 2001, pp. 28-32 (3 illus.)

Anne Vazquez

‘American Frames: the 1960s', in
Picture Framing Magazine, XII
July 2001, pp. 44-46 (3 illus.)

Elisabeth Vedrenne

‘L’art bien encadré’
Beaux-arts Magazine
Paris, no 152
1997, pp. 89-93

Zahira Veliz

‘The Restoration of Paintings in The Spanish Royal Collection’, in
Studies in the History of Painting Restoration
Archetype Publications Ltd.
1998, pp. 43-62

Lionello Venturi

Les archives de l’Impressionisme
Paris, 1939, & New York, 1968

Hélène Verougstraete-Marcq & Roger Van Schoute

Cadres et supports dans la peinture flamande aux 15e et 16e siècles
Heure-le-Romain, 1989
pp. 352 (illus. mainly in b-&-w)
[New edition digitized by the Getty, 2015]

Hélène Verougstraete & Roger Van Schoute

'Frames and supports in Campin's time', in
Robert Campin: New directions in scholarship, ed. Susan Foister & Susie Nash
1996, pp. 87-93

Hélène Verougstraete & Roger Van Schoute

'The origin and significance of marbling and monochrome paint layers on frames and supports in Netherlandish painting of the fifteenth and sixteenth centuries', in
Painting techniques, history, materials and studio practice, ed. Ashok Roy & Perry Smith
International Institute for Conservation: Dublin Congress, September 1998
London, 1998
pp. 98-100 (illus.)

Hélène Verougstraete & Roger Van Schoute

'Frames and supports of some Eyckian paintings', in
Investigating Jan Van Eyck, ed. Susan Foister, Sue Jones & Delphine Cool
Belgium, Turnhout,
2000, pp. 107-17 (6 illus.)

H. Vial, P. Marcel & A. Girodie

Les artistes décorateurs du bois: répertoire alphabétique des ébénistes, menuisiers, sculpteurs, doreurs sur bois, &c., ayant travaillé en France aux XVIIe et XVIIIe siècles
Paris, Bibliothèque d’art et d’archéologie
1912, 2 vols, pp. 370

Ambroise Vollard

En écoutant Cézanne, Degas, Renoir
Paris, 1938

Jorgen Wadum

'The Winter Room at Rosenborg Castle', in
Apollo, CXXVIII
1988, pp. 82-87

Jorgen Wadum

'The Antwerp brand on paintings on panel', in
Looking Through Paintings, (ed.) Erma Hermens
Leids Kunsthistorisch Jaarboek, vol. XI
1998, pp. 179-98

Jorgen Wadum

'Historical overview of panel-making techniques in the Northern countries', in
The structural conservation of panel paintings, ed. Kathleen Dardes & Andrea Rothe
Proceedings of a symposium at the J. Paul Getty Museum, April 1995
Los Angeles, The Getty Conservation Institute
1998, pp. 149-177 (illus).

Clive Wainwright & Paul Atterbury (eds)

Pugin: A Gothic Passion
Yale University Press in association with The V & A, London
1994, pp. 324 (illus.)

Elizabeth Walmsley

‘Italian Renaissance paintings restored in Paris by Duveen Brothers Inc. c.1927-29’
Facture, vol I
National Gallery of Art, Washington
2013, pp. 58-77 (illus.)

Martha Ward

The Unornamented Frame: Impressionist Frames and Exhibition Installations
A paper: proceedings of a Colloquium on Pissarro, Courtauld Institute, London
1980

Ian Wardropper

‘A Silver Relief of The Crucifixion of St Peter by Luigi Valadier',  in
The Sculpture Journal, IV
2000, pp. 79-84 (8 colour illus.)

J-F. Watin

L’Art de faire et d’employer le vernis
Paris, 1772
rev. as L’Art du peintre, doreur, vernisseur
Paris, 1776

Frank Watson

The Choiseul Box
Oxford University Press
1963, pp. 21 (illus.)

Dennis Weller

‘Eglon van der Neer’s Portrait of Aernout van Overbeke: the frame makes the man’, in
The Burlington Magazine, CLI
February 2009, pp. 98-101

Arthur K. Wheelock

'The Framing of a Vermeer' in
Collected Opinions: Essays on Netherlandish Art in honour of Alfred Bader
ed. Volker Manuth & Axel Rüger
London, 2004, pp. 232-39

Lucy Whitaker & Jonathan Marsden

'Re-framing The Royal Pictures: Episodes in the History of Royal Taste', in
Apollo, CLVI
September 2002, pp. 50-56 (12 illus.)

Lucy Whitaker & Martin Clayton

The Art of Italy in The Royal Collection: Renaissance and Baroque
Exh. cat., The Royal Collection, 2007; see also
Nicholas Penny
‘Exhibition reviews: Italian art in the Royal Collection', in
The Burlington Magazine, CIL
November 2007, pp. 795-98

Lucy Whitaker

‘Preparing a handsome picture frame to pattern chosen by HRH The Prince: Prince Albert frames his collection’, in 
Victoria & Albert: art & love, essays from a National Gallery Study Day
2012 (online), 37 p. (illus.)

Angus Whitehead

'The Arlington Court Picture: A surviving example of William Blake's framing practice', in
The British Art Journal, Vol. VIII, no. 1
Summer 2007, pp. 30-33 (4 illus.)

John Whitehead

French Interiors of the 18th Century
New York
1992, pp. 256

Arnold Wiggins & Sons (small pamphlet publications)

A hang of English frames, 1620-1920, 1996
Lawrence, Morant & a picture frame from Harewood, 1996
Frames for drawings, 1997 (?)
Frame estampillé P.F. Milet, 2005 (?)
A carved picture frame by Professor Giusti of Siena, 2006 (?)

Daniel Wildenstein

'Gauguin and the modern frame', and 'The decorated frame', in
Gauguin: A Savage in the Making (Catalogue Raisonné of the Paintings 1873-1888)
Wildenstein Institute & Skira, I
2002 (illus.)

Stephen Wildman

Visions of Love and Life: Pre-Raphaelite Art from the Birmingham Collection
Exh. cat., Virginia Museum of Fine Arts, Richmond
1995, pp. 372 (illus.)

Jane Wilkinson

‘Making Mrs Soane’s Morning Room ‘permanently magical’ ’, in 
Conserving context: relating object treatment to collections & settings, ed. Gerry Alabone
London, Archetype Publications
2014, pp. 89-100 (illus. in colour)

Geoffrey Wills

English Looking-Glasses: A Study of the Glass, Frames and Makers (1670-1820)
Country Life, London
1965, pp. 162 (illus.)

Eli Wilner

‘American Frames of the Arts and Crafts Period, 1870-1920, in
The magazine antiques
November 1989, pp. 1124-37

Eli Wilner

‘The Frame Designs of Stanford White’, in
Picture Framing Magazine
March 1991, pp. 32-34

Eli Wilner

‘The Picture Frames of Charles Prendergast’, in
Picture Framing Magazine
August 1991, pp. 66-67

Eli Wilner

‘The Frames of Frederick Harer’, in
Picture Framing Magazine
March 1992, pp. 60-61

Eli Wilner

‘19th Century Print and Drawing Frames’, in
Picture Framing Magazine
December 1993, pp. 6-10

Eli Wilner & Mervyn Kaufman

Antique American Frames. Identification and Price Guide
New York, Avon Books
1995, pp. 228

Eli Wilner

'The Frame is the Soul of the Painting: Period Frames in he Dicke Collection' in
American Art from the Dicke Collection, ed. Todd D. Smith
Exh. cat., Dayton Art Institute, Ohio, 1997

Eli Wilner (ed.)

The Gilded Edge: The Art of the Frame
San Francisco
2000, 203 p. (168 illus.); updated & reprinted 2011, 204 p. (fully illus. in colour)

Glenn Zorpette,

‘Frames and fortunes’, in
ARTnews, XCI, 4, April 1992, pp. 96-99 (2 illus.)

Stefano Zuffi

La cornice, evoluzione e design/The Frame, Evolution and Design: From the Sixties to the Present with Arquati Models, simultaneous Italian/English texts
Milan, 1996, pp. 149

NOTE

The website of the National Portrait Gallery, London
[http://www.npg.org.uk/research/programmes/the-art-of-the-picture-frame/research-bilbiography.php] provides wide ranging information on current research and events, together with an annotated bibliography of frame publications from 1995 – today.

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