Posted: 10 Dec 2016 by PML
In the first part of this article (The Cassetta Part 1), its ancestors, structure and development were described, along with some of the decorative techniques used to ornament it, such as punchwork and pastiglia. In this article, our focus is on parcel gilt finishing, specifically looking at arabesque ornament and exploring its origins..
Posted: 06 Dec 2016 by PML
We have selected our top frames from Sotheby's December Old Master sales, giving their full descriptions and their influence on the paintings.
Posted: 18 Sep 2016 by PML
In the course of evaluating the frames in the Collection, the Associate Curator of European Art, Dr. Cory Korkow, and colleagues determined that the Lawrence double portrait should be presented in a contemporary British period setting...
Posted: 27 May 2016 by PML
The cassetta is the most fundamental frame design, on which practically every other genre or pattern is based. It is usually translated, lazily, as a 'box' frame, which doesn't describe it at all. It could be more accurately called an 'encasing' frame, like a casement window; a rectangular border with a very simple cross section, usually with a flat central frieze surrounded on each side by mouldings.
Posted: 16 May 2016 by PML
On request, Paul Mitchell were able to offer suitable frames for the following works during Sotheby's London 19th Century European Paintings sale in May:
Posted: 11 May 2016 by Paul Mitchell
This small, striking work was recently purchased at auction by a Private Collector in a deadening pastiche Louis XIV frame. Removing this you could feel the painting give a sigh of relief ...