Posted: 12 Nov 2019 by PML
Unlike Degas, a number of whose original frames have survived on the paintings they were made for, and whose sketchbooks containing profiles ...
Posted: 28 Feb 2018 by PML
Paul Mitchell were pleased to offer a rare 19th century French Louis XV revival frame for the the star lot in Sotheby’s Impressionist and Modern Art Evening Sale on the 28th February 2018
Posted: 15 Jan 2018 by PML
Following on from Part 1 'Framing the Impressionists', we continue to look at the various periods and styles of frames chosen for the works of the Impressionists
Posted: 14 Sep 2017 by PML
This was previously framed in a later French Louis XIV / early Regence model. This overpowered the portrait due to scale of section width, corner-&- centre cartouches and elaborate decorative ornament in the frieze. The original finish has been altered over the years ...
Posted: 17 May 2017 by PML
A short essay looking at the various periods and styles of frames chosen for the works of the Impressionists
Posted: 07 May 2017 by PML
The 'Master of The Annunciation to the Shepherds' was an anonymous painter active in Naples between 1620 -1640, and generally known for depicting scenes of the angels informing the shepherds about the birth of Jesus...
Posted: 20 Apr 2017 by PML
Judith W. Mann, Curator of European Art at Saint Louis Art Museum, initially approached us in regards to reframing their 'Portrait of a Woman’ by the Florentine Mannerist painter, Allesandro Allori..
Posted: 10 Dec 2016 by PML
In the first part of this article (The Cassetta Part 1), its ancestors, structure and development were described, along with some of the decorative techniques used to ornament it, such as punchwork and pastiglia. In this article, our focus is on parcel gilt finishing, specifically looking at arabesque ornament and exploring its origins..
Posted: 06 Dec 2016 by PML
We have selected our top frames from Sotheby's December Old Master sales, giving their full descriptions and their influence on the paintings.
Posted: 18 Sep 2016 by PML
In the course of evaluating the frames in the Collection, the Associate Curator of European Art, Dr. Cory Korkow, and colleagues determined that the Lawrence double portrait should be presented in a contemporary British period setting...