Posted: 25 Jun 2020 by PML
The second part of this essay continues to explore the evolution of frames and their relationship to their architectural surroundings, resuming with the Baroque style in Britain during the 18th century up to the Art Deco style in the 20th century ...
Posted: 31 Mar 2020 by PML
With the help of the Paul Mitchell Photographic Archive, our two part essay explores the evolution of frames and their relationship to their architectural context, through time and across nationalities. Part 1 starts with their appearance in Egypt 3,500 years ago as the borders on wall paintings, and finishes with their opulence in France during the reign of Louis XIV.
Posted: 12 Nov 2019 by PML
Unlike Degas, a number of whose original frames have survived on the paintings they were made for, and whose sketchbooks containing profiles ...
Posted: 28 Feb 2018 by PML
Paul Mitchell were pleased to offer a rare 19th century French Louis XV revival frame for the the star lot in Sotheby’s Impressionist and Modern Art Evening Sale on the 28th February 2018
Posted: 15 Jan 2018 by PML
Following on from Part 1 'Framing the Impressionists', we continue to look at the various periods and styles of frames chosen for the works of the Impressionists
Posted: 13 Oct 2017 by PML
17th century Netherlandish paintings were framed in a variety of styles, adding to the interest of a hanging in the Dutch interior - which might be panelled with wood, hung with embossed leather, or painted in a pale, neutral shade. The foundation of the Dutch East India Company in 1602 exponentially increased the import of exotic woods, and encouraged the craft of the ebony worker ...
Posted: 14 Sep 2017 by PML
This was previously framed in a later French Louis XIV / early Regence model. This overpowered the portrait due to scale of section width, corner-&- centre cartouches and elaborate decorative ornament in the frieze. The original finish has been altered over the years ...
Posted: 17 May 2017 by PML
A short essay looking at the various periods and styles of frames chosen for the works of the Impressionists
Posted: 07 May 2017 by PML
The 'Master of The Annunciation to the Shepherds' was an anonymous painter active in Naples between 1620 -1640, and generally known for depicting scenes of the angels informing the shepherds about the birth of Jesus...
Posted: 20 Apr 2017 by PML
Judith W. Mann, Curator of European Art at Saint Louis Art Museum, initially approached us in regards to reframing their 'Portrait of a Woman’ by the Florentine Mannerist painter, Allesandro Allori..