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Reframing Warhol's The Scream, after Munch, Pauline Karpidas: The London Collection Evening Auction, Sotheby's

Posted: 15 Sep 2025 by PML

Munch had painted his apocalyptic vision of 'The Great Scream in Nature' in 1893, and two years later produced black-&-white lithographs of the composition, one of which - in the collection of the Munch Museum in Oslo - was picked out in watercolour.


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Reframing MAGRITTE'S La Statue volante, Pauline Karpidas: The London Collection Evening Auction, Sotheby's

Posted: 15 Sep 2025 by PML

Magritte's La Statue volante, painted in 1958, is being sold by Sotheby's, London, as part of the extraordinary collection of surrealist works assembled by Pauline Karpidas. It was installed in the salon of her house in London in a narrow parcel-gilt and black frame, as part of the various hangs in which this frame was repeated or partly echoed by other fairly plain mouldings in black, natural wood or overall gilding, centred or lifted here and there by a larger antique frame.


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Reframing Van Gogh, The bedroom, 1889, Art Institute of Chicago

Posted: 29 Jan 2025 by PML

Van Gogh painted this dynamic view of his bedroom in the Yellow House at Arles three times, this one being the second version.


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Reframing JACOB HUYSMANS, 1st Earl of Lichfield & his wife as children, 1674, National Gallery of Victoria, Melbourne

Posted: 09 Oct 2024 by PML

In 2012 this striking double portrait of a future husband and wife by the Flemish-born artist, Jacob Huysmans, was acquired by the National Gallery of Victoria in Melbourne ...


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Reframing ZURBARÁN, The Battle between Christians & Moors at El Sotillo, Metropolitan Museum, New York

Posted: 10 Jun 2024 by PML

The large arched painting of the Battle between Christians and Moors at El Sotillo in the Met Museum was only one part of an immense altarpiece, about 15 metres high, painted by Zurbarán in 1637-39 for a Carthusian monastery near Cádiz ...


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Reframing JUAN DE VALDÉS LEAL The Conversion and Baptism of St. Augustine by St. Ambrose, Saint Louis Art Museum

Posted: 22 Feb 2024 by PML

The project to reframe this painting by one of the great 17th century Spanish masters was very exciting, since it required the design to incorporate a sense of the piety, symbolism and Catholic splendour of the original setting. This is one panel from a set of seven canvases which surrounded an altarpiece of the Madonna and Child by Murillo in the private oratory of the Archbishop of Seville, in southern Spain ...


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Reframing GHIRLANDAIO Madonna & Child

Posted: 28 Nov 2023 by PML

The National Gallery possesses a particularly tender and moving painting of the Madonna and Child by Ghirlandaio. It has a curved, segmental top, and an integral painted trompe l’oeil border giving the effect of the inside of the arched niche in which the two figures stand, which has made it difficult to frame – even in an arched version of a conventional frame ...


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Reframing VAN GOGH, Madam Roulin rocking the cradle (La Berceuse), Art Institute of Chicago

Posted: 14 Sep 2023 by PML

Van Gogh painted Madame Roulin, the wife of his friend Joseph Roulin, a postman in Arles, as a kind of secular Madonna - a symbol of family love and security. He even presented it to Gauguin after their destructive breach, asking that it should be hung as part of a triptych, between two paintings of sunflowers ...


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Reframing FRANZ ANTON MAULBERTSCH (attributed), study for The Presentation of Christ in the Temple, Cleveland Museum of Art

Posted: 04 May 2023 by PML

Franz Maulbertsch (1724-96) was a Viennese artist whose work was sought after for castles and churches across the Austro-Hungarian Empire. He had been particularly influenced by Venetian Rococo painting, and his wall, ceiling and easel paintings are all infused with the airy lightness of Tiepolo and Piazzetta ...


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Reframing the Rococo: FRANZ ANTON MAULBERTSCH (attributed), study for ‘’The Presentation of Christ in the Temple’’, Cleveland Museum of Art

Posted: 27 Apr 2023 by PML

Franz Maulbertsch (1724-96) was a Viennese artist whose work was sought after for castles and churches across the Austro-Hungarian Empire. He had been particularly influenced by Venetian Rococo painting, and his wall, ceiling and easel paintings are all infused with the airy lightness of Tiepolo and Piazzetta.


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